Sarah’s research focuses on dance, digital technologies, somatic practice, pedagogy, and inclusive performance. She has led major projects funded by AHRC, Leverhulme, Wellcome Trust, and the EU, including the Siobhan Davies digital archive project RePlay. Her work explores the impact of digital technologies on cultural heritage and performance. She was founding Principal Editor of the Journal of Dance and Somatic Practices and continues to serve on several editorial boards. Sarah has also been a REF panel member (2014, 2021), an AHRC Strategic Reviewer, and a European Commission Evaluator, shaping research and policy in dance and the arts.
